MGLC has the largest Slovene collection of fine art prints and original publications produced after the Second World War. It is the only public collection of modernist prints in Slovenia, containing more than 10,000 pieces.
The majority of the collection is represented by the donations of the artists that have exhibited at the International Biennials of Graphic Arts. Among them are members of the École de Paris, representatives of the COBRA avant-garde movement, artists of Eastern Europe and other internationally renowned artists. The collection also contains the complete or partial print oeuvres of Vladimir Makuc, Janez Bernik, Danilo Jejčič, Bogdan Borčić, Jože Ciuha, Lojze Spacal, Andrej Jemec, Tinca Stegovec, as well as others.
An important part is represented by the collection of art publications, which accounts for about 4,000 pieces – artists’ books, book works, art journals and magazines, newspaper projects, posters and invites, photographic publications, postcards, stamps, stickers, prints, photocopies, sound art CDs, as well as accompanying literature. The collection was formed in 2001 when the Institut Français loaned 378 works by the avant-gardes artists of the 1960s and 1970s.
MGLC also holds in its collection 425 units from the museum in progress collection of original newspaper projects published in Der Standard newspaper between 1990 and 2002.
This Happy Day of Culture at Švicarija
Anja Jerčič Jakob: Fragile Balance
3. 12. 2021–13. 2. 2022
The exhibition will be opened on This Happy Day of Culture, 3 December, at 6 pm.
Painter and pedagogue Anja Jerčič Jakob has been working at the MGLC Švicarija residential and creative centre since 2017. In the exhibition Fragile Balance, she presents herself with two painting cycles, Field Residues (2020–2021) and Weeds (2021).
All visitors to events that will be open to the public at Tivoli Mansion and MGLC Švicarija are asked to comply with the PCT (recovered-vaccinated-tested) requirements.
At the end of the biennale
The 34th Ljubljana Biennale of Graphic Arts, Iskra Delta, came to a successful close on Sunday. In 72 days, 22 events took place, 4 prizes were awarded, and 57 artists and a great number of speakers participated in imagining the future. We extend our sincere thanks to all participants, curators, organisers, supporters and visitors.
The Biennale, which we launched at the beginning of the pandemic, was originally conceived as a production, presentation and theory platform for cross-genre creators of the Millennial and Zoomer generation, who are finding their way in the subterrain of the cyber world. The splitting of reality and the dissolution of linear causal temporality through the internet and rapid technological progress have opened up the possibility of receiving messages from other worlds and timelines, which artists, musicians, curators, writers, designers and other agents have woven into a world-building mission, creating scenarios for the future and reimagining the present.
The award recipients of the 34th Ljubljana Biennale of Graphic Arts
The International Jury consisting of Lovro Japundžić, Jen Kratochvil, Sam Lackey and Poka-Yio decided that the Grand Prix of the 34th Ljubljana Biennale of Graphic Arts goes to Johannes Paul Raether.
The Jury presented the Research Residency Award to Mario Mu, who also received the Audience Award, and a Special Mention from the Jury went to the BCAA System collective.
Congratulations to all the prize winners of the 34th Ljubljana Biennale of Graphic Arts!