The Study Room
The Study Room was opened due to increasing public interest and as an addition to study. It is intended for in-depth research of art publications, although it can also house exhibitions.
The visitor to the Study Room can browse through the artists’ books by authors included in the collection, since in addition to prints, the MGLC collection comprises also publications of various genres, whose common denominator is reproduction technique, from artists’ books, art journals, culture magazines, to posters, sound art CDs and theoretical literature. The MGLC collection therefore contains more than 4,000 pieces.
Available to flick through are Viks art and culture magazines, most issues of the Point d'Ironie hybrid periodical, Gorgona, SMS, 0 TO 9 and Pist Prota. Housed in the collection are also posters and notices of the FV group (donated by Neven Korda), the archive of The Scarecrow Statelet (donated by Milena Kosec), an extensive archive on the events on the Zagreb art scene from the 1970s up till the 1990s, the complete archive of Bernard Villers’ self-published Éditions du Remorquer, as well as the collection of original newspaper projects museum in progress from Der Standard newspaper.
The materials from the collection can be viewed by prior arrangement.
Additional information: Breda Škrjanec, (01) 241 38 05, firstname.lastname@example.org
A note to visitors of the 33rd Ljubljana Biennial of Graphic Arts: Crack Up – Crack Down
We notify you that the exhibition of work by Hinko Smrekar The Seven Deadly Sins was on view at the National Gallery of Slovenia until the end of August. The works were exhibited as part of the Biennial and announced a major retrospective of the artist's works next year.
Photo: Jaka Babnik. Archive: MGLC.
Alicja Rogalska: Citizens of Nowhere, Artist talk
25th International Festival of Contemporary Arts – City of Women
Friday, 13. 9.
Alicja Rogalska is this year’s City of Women’s artist-in-residence at Švicarija, commissioned by the curatorial duo osborn&møller. During the one-month residency programme, Rogalska will address the issue of The Erased, the around twenty thousand people, who were left without citizenship shortly after Slovenia declared independence in 1991. The newly founded state (Republic of Slovenia) stripped The Erased of a social existence, prompting the artist to question how this identity which was taken away could even begin to be represented. The artist will share some possible answers and performative actions that will ensue from the residency programme with audiences at the artist talk taking place at Švicarija (13 September), as well as in the screening and conversation at Škuc Gallery as part of the solo exhibition Kinds of Pressure (2–18 October).
Alicja Rogalska mostly works in specific contexts, making situations, performances, videos and installations in collaboration with other people to collectively search for emancipatory ideas for the future. She is currently artist-in-residence at the Stuart Hall Library/INIVA in London and is working on a commission for Art Exchange in collaboration with the Faculty of Social Sciences at Essex University and Focal Point Gallery. She has recently presented her work at Biennale Warszawa, Kyoto Art Centre, Muzeum Sztuki in Łódź, Museum of Modern and Contemporary Art in Rijeka and MuseumsQuartier in Vienna.
Artist talk will be delivered in English!
Local research assistant: Olga Michalik; Alicja Rogalska assistant: Linnea Hansander; produced by: City of Women; co-produced by: MGLC – International Centre of Graphic Arts, Adam Mickiewicz Institute, Kunstencentrum Vooruit; supported by: Ministry of Culture of the Republic of Slovenia, City of Ljubljana.
Drop-in zine workshop with Hamja Ahsan
Saturday, 28 September, 10.00–18.00, DobraVaga
Hamja Ahsan – the recipient of the Grand Prize of the 33rd Ljubljana Biennial of Graphic Arts – is an artist, activist and curator, who lives and works in London. He is the author of Shy Radicals: Antisystemic Politics of the Militant Introvert and the founder of the DIY Cultures festival of creative activism, fanzines and independent publishing. He is presenting himself at the Biennial with a referendum and inviting visitors to the venues of the Ljubljana Biennial to vote for these zones to join the seceded Aspergistan Federation. He will be conducting a drop-in (fan)zine workshop with visitors over the age of 18, which will reflect the message of the Biennial exhibition.
Advance bookings are appreciated, to be made to email@example.com.
Free of charge.
Foto: Urška Boljkovac. Archive: MGLC.