The Print Studios
The MGLC Print Studios are organized as a production centre, offering artists the opportunity to print in a variety of printmaking techniques. They are able to make their prints themselves or can be assisted by the masters of the craft.
In their early years, the Print Studios’ primary job was the preservation and protection of cultural heritage. During this period the reprints of works by Janez Bernik, Andrej Jemec, Veno Pilon, Riko Debenjak, Bogdan Borčić, Karel Zelenko and Marijan Tršar were produced. Later, the production in the Print Studios focused on using certain classic printmaking techniques like intaglio printing, lithography and silkscreen. But the Studios were always conceived to function as a research laboratory, where local and foreign artists can explore their visual ideas as well as further their knowledge and skills.
As a production centre, MGLC offers various ways of participation. For the production of original art prints, the board of experts selects projects every year to be financed and produced in the MGLC Print Studios. Artists may apply personally by the end of the calendar year, however, MGLC may put out a call for submissions if required, or alternately make a direct invitation to a certain artist to engage in the production of a project.
In the case of co-productions, MGLC takes care of technical and spatial requirements, and the projects are selected on the basis of artists’ proposals. In both cases, production or co-production, MGLC receives two copies of the graphic print for its permanent collection. The MGLC Print Studios are also available to hire.
MGLC offers free use of their print studios at the headquarters of MGLC to students and educators of ALUO for educational purposes.
Personal viewing and purchase of works
From Monday to Friday, 9.00–15.00
Further details: Petra Klučar, +386 (01) 24 13 808, email@example.com
From the MGLC Collection
Christian Boltanski: Le Club Mickey
Collection of the Institut français Slovénie
The artist’s book presents a series of newspaper photos of children from the Mickey Mouse Club in moments depicting their most vulnerable periods. By cataloguing these faces as well as the membership numbers of the Mickey Mouse Club members, Boltanski reveals his own fascination with historical memory and the way in which we construct the past.
The work of French conceptual artist Christian Boltanski explores the nature of classification and inventory-making and how these relate to our need to construct the past. Death is used by the artist as a metaphor to communicate his doubts, while at the same time managing to transcend the categories of morbidity and despondency tied to it.
The book was published by Imschoot, Uitgevers in Ghent. The first edition of 400 copies was published in 1990 and the second edition, in a circulation of 600 copies, in 1991. The book has 32 pages and 148 illustrations.
WORKSHOP: MOKULITO – WOOD LITHOGRAPHY
Friday–Sunday, 6–7 June 2020 (12 hours)
Print workshop, conducted by artist Tihana Karlović
The mokulito technique is an alternative form of the classical printmaking technique of wood lithography and comes from Japan.
Photo. Urška Boljkovac. MGLC Archive.
The 2-hour workshop takes place in the Print Studio at MGLC:
Friday, 5. 6.: 17.00–20.00
Saturday, 6. 6.: 10.00–18.00
Sunday, 7. 6.: 10.00–12.00
The workshop is conducted by artist Tihana Karlović (Rijeka, Croatia) and is intended for participants with some knowledge of the graphic arts. The group is limited to a maximum of 8 people. Participants should attend the workshop from beginning to end. Participation fee: 90 EUR.
We offer a 15% discount for members of the Friends of the Biennial Club and a 10% discount for students and the unemployed.
Applications must be made using the appropriate application form outlining relevant experience and/or by submitting a portfolio.
Applications taken up till the available quota at firstname.lastname@example.org
ANDREJ ŠKUFCA: BLACK MARKET
19. 5.–16. 8. 2020
Black Market by Andrej Škufca is a sculptural installation based on modular iterations. Its body represents a futuristic animal composed of our contemporary biotechnical debris – of oil pipelines, ocean fibre optic cables, eels, exoskeletons and the earliest forms of tubular multicellular micro-organisms.
Curator: Àngels Miralda
The Black Market exhibition is on view free of charge until the end of May.
Andrej Škufca: Zero Hedge (2019),