The collection

The largest Slovene collection of fine art prints and original publications produced after the Second World War, and the only public collection of modernist prints, contains more than 10,000 pieces. 

The majority of the collection is represented by the works of artists that have exhibited at the International Biennials of Graphic Arts. Among these are the members of the École de Paris, (Jean Arp, Osip Zadkin, Pierre Soulages, Hans Hartung, Serge Poliakoff, Zao Wou-Ki, Victor Vasarely), representatives of the COBRA avant-garde movement (Corneille, Karel Appel, Asger Jorn), artists of Eastern Europe, as well as other internationally acclaimed artists: Nancy Spero, Damien Hirst, Bill Morris, Max Bill, Emilio Vedova, Günther Uecker, Robert Rauschenberg, Pablo Picasso, Dóra Maurer, Görgy Galántai, Mangelos, Ivan Kožarić and Ivan Picelj. The collection also contains the complete or partial oeuvres of some of the most prominent Slovene artists working in printmaking like Vladimir Makuc, Janez Bernik, Danilo Jejčič, Bogdan Borčić, Jože Ciuha, Lojze Spacal, Andrej Jemec, Tinca Stegovec, as well as others.

An important part of the collection is composed of art publications, which accounts for about 4,000 pieces – artists’ books, book works, art journals and magazines, newspaper projects, posters and invites, photographic publications, postcards, stamps, stickers, prints, photocopies, sound art CDs, as well as accompanying literature in the form of theoretical pieces and catalogues. The collection began to form in 2001. This is when the Institut Français loaned MGLC 378 works by the avant-garde artists of the 1960s and 1970s, which included works by Daniel Buren, Christian Boltanski, Marcel Broodthaers, Sophie Calle, Henri Chopin, Hanne Darboven, Robert Filliou, Jochen Gerz, Anette Messager, Roman Opalka, Roland Topor and Ben Vautier, as well as issues of the prominent art journals Agentzia, Chorus, Humidité, Opus International, VH 101. The donation set off a systematic collecting of all genres, and with the revitalization of the Biennial, MGLC became more excited by all types of art printing as well as purchases and donations, which grew significantly after the success of the 25th Graphic Arts Biennial, acquiring to date an impressive number of works by authors such as Vito Acconci, George Brecht, Daniel Buren, Christian Boltanski, Marcel Broodthaers, James Lee Byars, Sophie Calle, Hanne Darboven, Jan Dibbets, Hans-Peter Feldmann, Robert Filliou, the Fischli-Weiss duo, Jochen Gerz, Roni Horn, Sanja Iveković, Alfredo Jaar, Ilja Kabakov, Thomas Kapielski, Allan Kaprow, Sol LeWitt, Richard Long, Mangelos, Miha Maleš, Anette Messager, OHO, Roman Opalka, Iztok Osojnik, Raymond Pettibon, Dušan Pirih Hup, Sigmar Polke, Dieter Roth, Edward Ruscha, Jean Tinguely, Roland Topor, Ben Vautier, Petra Varl, Andy Warhol, Lawrence Weiner, Franz West, Emmett Williams and Franci Zagoričnik, as well as the collection of original newspaper projects which also included museum in progress from Vienna, published in Der Standard newspaper between 1990 and 2002.

Important museum and study materials are also represented by the FV archive donated to MGLC in 2006 by Neven Korda, the archive of The Scarecrow Statelet, a donation by Milena Kosec, the extensive archive of the events of the Zagreb art scene between 1970–1990 collected over the years by Darko Šimičić, the extensive archive of Bernard Villers’ self-published Éditions du Remorquer (1978–2008), and most of the issues of the Point d'Ironie hybrid periodical (1997–2010).

Presentation of the collection

Enter your e-mail:
ARCHIVE

The Švicarija: Community, Art and Nature Project

Tivoli – Art with Nature, lecture
Olga Paulič: Tivoli Architecture

TIVOLI ARCHITECTURE
Thursday, 18 October, at 6 pm
admission: 2 eur

The beginning of the architectural design of Tivoli Park is represented by the stately architecture of Tivoli Mansion and Leopoldsruhe Mansion (the Cekin Mansion of today). Later, buildings intended for leisure activities started to appear, especially sports and recreational facilities, as well as entertainment facilities. We must also not forget the important cultural buildings on the edge of Tivoli, which are, unfortunately, cut off from the rest of the park because of the railway line.


Tivoli Mansion.
Photo: Matevža Paternoster. MGLC Archive.

The Secret Life of Books,
literary panel discussions
Nature, Society, People

Wednesday, 24 October, at 6 pm
free of charge

Book: James Lovelock, A Rough Ride to the Future

How are nature and society connected? Do people also create and build nature? What are the links between the environment and social change? How does nature affect an individual? The starting point for the discussion is drawn from the ideas of the Švicarija: Community, Art and Nature project.

Guests: Janez MarkešMitja Pucer and Ajda Pistotnik, led by Nika Kovač.

YOU ARE INVITED TO JOIN US IN THE CHILDREN'S STUDIO IN THE ŠVICARIJA CREATIVE CENTRE!

Creative workshops, animations and guided tours of the building are held for children every Friday. The studio operates free of charge every Friday from May to November, from 10 am to 1 pm. The activities are led by the gallery mentors Petra Derganc, Tina Boc, Petja Kolenko and Katja Kovše.

You may like to book your visit by writing to the following e-mail: petra.derganc@mglc-lj.si.

Matjaž Geder, Preparations for improvisations

17. 10.–11. 11. 2018

opening: Wednesday, October 17,
at 6 pm

Matjaž Geder is an art teacher at the Murska Sobota  II  Elementary School. It is precisely the pedagogical profession that has a profound influence on his creative world, which is constantly in passing from a direct and illustrative visual language to more complex conceptual and symbolically conceived images. He puts the rigid school system, which is based on a way of thinking that is both clichéd and indiscriminate, under critical comparison with the attitude towards the destigmatisation of mental illness, which come surprisingly close in his works.  A selection of works created in the recent years is on view, as well as a series of new prints, produced specifically for the exhibition.



Matjaž Geder: Step-ping, 2018, monoprint, 66 x 100 cm.

Theme-based guided tour of the retrospective exhibition by Riko Debenjak

23 October, at 6 pm, admission for exhibition

Traces on Paper, Canvas, Wall ...
Tatjana Pregl Kobe, art historian: 

Riko Debenjak, illustration for the book Nikolaj V. Gogolj: Taras Bulba, 1948.