The 32nd Ljubljana Biennial of Graphic Arts: Birth as Criterion

16. 6.–29. 10. 2017

The 32nd Biennial of Graphic Arts is open until 5 November.

The 32nd edition of the Biennial of Graphic Arts, in collaboration and in co-production with many partners, once again delivers an extensive array of exhibitions and events. The main exhibition entitled Birth as Criterion, which will be on display at MGLC (Tivoli Mansion) and in the newly renovated Švicarija Creative Centre, was this time subjected to an interesting experiment through which the main Biennial exhibition was gradually drawn up in its selection of artists. A simple mechanism was used: the recipients of the Grand Prize of the past five Biennial editions – Jeon Joonho (2007), Justseeds (2009), Regina José Galindo (2011), María Elena González (2013) and Ištvan Išt Huzjan (2015) – were invited to propose one artist to participate in this year's event. These artists were then invited to nominate the next five participating artists. The process consisted of five more rounds and at the end, the 32nd Biennial was supplied by the names of about thirty participating artists. By doing so, the thirty-second Biennial edition sets a transgressive moment for its biennial starting point, aiming to radically transform – not only the content of the event, but also its structure. This is already suggested by its title Birth as Criterion, which alludes to the poem of modernist twentieth century poet Jure Detela – a poem that provided the surge for self-reflection, which the Biennial has subjected itself to. Or in other words, even when the 32nd Biennial of Graphic Arts rejects the framework of a thematic exhibition, it stems from a poem. Yet, this is such that it resists to provide a leading theme to the exhibition, but calls for a break with its radical questioning of all polarity. The break introduced by Jure Detela's poem resonates in the rhizomatic structure of this year's Biennial, which – without the central figure of the curator – instead functions as an entity that produces its own self. By leaving its comfort zone, whether in terms of biennial tradition or established protocols of conceiving contemporary art exhibitions, Birth as Criterion foregrounds a diversity of relationships – a multiplicity that does not possess a single common concept, but instead exists as a continuous flow of meaning, offering a multitude of potential connections and interactions among the artworks.

In addition to the main exhibition Birth as Criterion (MGLC, Švicarija and ŠKUC Gallery), the thirty-second Biennial also presents the traditional exhibition of the winner of the Grand Prize of the previous Biennial, this time Ištvan Išt Huzjan, a presentation of work by Peter Gidal, winner of the Lifetime Achievement Award of the 31st Biennial, a project by the winner of the Audience Award of the 31st Biennial of Graphic Arts, Meta Grgurevič, a Maria Bonomi retrospective at the Jakopič Gallery, as well as a vibrant discursive programme with an international symposium. As far as other projects are concerned, there is also the international billboard project a good neighbour in cooperation with the Istanbul Biennial, the book presenting the work of Argentinean poet Alejandra Pizarnik, as well as the print portfolio of the artists included in the 32nd Biennial of Graphic Arts on display at the Kresija Gallery.

 

Biennial TOP 10 Guided tours

11. 7. at 19.00: in English and Slovene (in front of Švicarija Creative Centre)
18. 7. at 19.00: in Italian and Slovene (in front of Švicarija Creative Centre)
25. 7. at 19.00: in German and Slovene (in front of Švicarija Creative Centre)
1. 8. at 17.00: in English and Slovene (in front of MGLC)
8. 8. at 17.00: in German and Slovene (in front of MGLC)
15. 8. at 17.00: in Slovene (in front of MGLC)
22. 8. at 17.00: in English and Slovene (in front of MGLC)

Artists of the 32nd Biennial of Graphic Arts

Michelle Andrade / Leo Junsuk Bang / Stephanie Brooks / Erica Ferrari / Riley Harmon / Jarrett Key / Jon Key /
Eric Khoo / Gabriel Kuri / Moon Kyungwon / Jelsen Lee Innocent / Carlos Monroy / Ebecho Muslimova /
Christopher Myers / Asuka Ohsawa / Alejandro Paz / Josse Pyl / Alberto Rodríguez Collía / Gabriel Rodríguez Pellecer / Kaitlynn Redell / Mario Santizo / Jennifer Schmidt / Slavs and Tatars / Johanne Teigen / Nora Turato / Jess X. Snow / Oli Watt

Biennial collective: Irena Borić, Miklavž Komelj, Yasmín Martín Vodopivec, Nevenka Šivavec, Breda Škrjanec, Lili Šturm, Vladimir Vidmar, Asta Vrečko, Božidar Zrinski

 

THE VOID PRINT PORTFOLIO (16. 6.–6. 7. 2017)

The concept of the print portfolio is based on the Biennial's structure, as the invited artists are the representatives of the five groups that were formed within the rhizomatic structure of the Biennial. The Void questions the conditions and implications of the situation in which artists find themselves upon being asked to invite another artist.

Artists: Jarrett Key, Moon Kyungwon, Ebecho Muslimova, Alberto Rodríguez Collía and Jennifer Schmidt
Curator: Tevž Logar
Venue: Kresija Gallery

 
Photo: Jaka Babnik. MGLC Archive.


THIS IS NOT A NAME (16. 6.–16. 7. 2017)

THIS IS NOT A NAME is an exhibition that raises questions on how to think about art outside the protocols of contemporary art. It seeks to provide a fresh perspective on the experimental format of this year's Biennial, while at the same time insisting on works that can not be fully captured by any context.

Artists: Anonimus Artist, 1st century AD, Viktor Bernik, Dragica Čadež, Karel Destovnik - Kajuh, Jure Detela, Athanasius Kircher, Marko Pogačnik, Marko Ristić & Koča Popović, Tomaž Šalamun 
Curators: Miklavž Komelj, Yasmín Martín Vodopivec, Nevenka Šivavec and Vladimir Vidmar
Venue: Škuc Gallery


Photo: Jaka Babnik. MGLC Archive.

Exhibitions of award recipients

IŠTVAN IŠT HUZJAN: MEASURES (16. 6.–17. 9. 2017)

The recipient of the Grand Prize of the previous Biennial sets out to consider journeys in the exhibition, where the motif of walking remains a constancy in the artist’s questioning of the social system and relations between individuals. The second part of the exhibition, on the other hand, presents pieces made in the haven of the artist's studio, which are interwoven into the narrative of his recording of reality.

Curator: Alenka Gregorič
Co-production: MGML – Museum and Galleries of Ljubljana, City Art Gallery Ljubljana
Venue: City Art Gallery Ljubljana
 

  
Photo: Urška Boljkovac. MGLC Archive.

 
Meta Grgurevič: SILENZIO, ETERNAL LOOPHOLES AND BRAIDED LINES (16 JUNE 2017)

The recipient of the Audience Award of the 31st Biennial of Graphic Arts presents herself with a project in which sculpture and its movement expand into performance. Through a choreography, the individual parts – gestures, sound and the spoken word – assemble themselves and pass into a state of harmony.

Curator: Michele Drascek
Artistic overview and text: JAŠA
Choreography: Sanja Nešković Peršin
Music: BOWRAIN
Co-producer: Slovene National Opera and Ballet Theatre
Venue: Švicarija Creative Centre


Photo: Urška Boljkovac. MGLC Archive.

PETER GIDAL: EXHAUSTED MEANING (16. 6.–29. 10. 2017)

The Lifetime Achievement Award of the previous Biennial was given to film director Peter Gidal. The exhibition Exhausted Meaning pays tribute to Gidal’s experimental film practice and documents his several decades-long interest in the work processes that lead to the final appearance of every film.

Films: Room (Double Take), 1967; Upside Down Feature, 1967–1972; Epilogue, 1968; Clouds, 1969; Focus, 1971; Guilt, 1988; Flare Out, 1992; No Night No Day, 1997; Assumption, 1997; Coda 1, 2013; Coda 2, 2013
Curator: Irena Borić
Venue: Švicarija Creative Centre


Photo: Jaka Babnik. MGLC Archive.

Other projects:

Maria Bonomi: PRINTMAKING FOREVER (16. 6.–29. 10. 2017)

The work of Maria Bonomi establishes printmaking as a means of expression, where paper is no longer a physical boundary of a medium, but serves as an endless source for experimentation. She skilfully creates contrasts between the intrepid abstract image in strong colours, and the thin fine rice paper which colours filter through, creating transparent colour veils.

Curators: Barbara Savenc and Breda Škrjanec
Co-producer: MGML – Museum and Galleries of Ljubljana, Jakopič Gallery
Venue: Jakopič Gallery


Photo: Jaka Babnik. MGLC Archive.

 
Alejandra Pizarnik: NIGHT SINGER

The book Night Singer contains a greater part of Alejandra Pizarnik's poetic oeuvre, the piece of prose entitled The Blood Countess, as well as her statements about her own poetry. The book also includes some previously unpublished material: drawings and a self-presentation, which she wrote in her letters to Djuna Barnes.

Edited by: Miklavž Komelj
Translated by: Nada Kavčič and Miklavž Komelj
Accompanying essays: Nada Kavčič, Miklavž Komelj and Yucef Merhi
Cover: Yucef Merhi

 
A GOOD NEIGHBOUR – INTERNATIONAL BILLBOARD PROJECT (JULY–AUGUST)

This year's 15th Istanbul Biennial entitled a good neighbour has been presenting its international billboard project with the theme of a good neighbour since February 2017 across many of the world's cities. Now, the project is also being hosted by the Biennial in Ljubljana.

Location: TAM-TAM city billboards


Photo: Jaka Babnik. MGLC Archive.

The jury of the 32nd Biennial of Graphic Arts
Anne Barlow 
Mike Cooter
Bige Örer
Maruša Sagadin

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ARCHIVE

Announcing the 34th Ljubljana Biennale of Graphic Arts: Iskra Delta

18. 6.–17. 10. 2021

Iskra Delta, a technology conglomerate, has been summoned from the future to present its covert production at the 34th Ljubljana Biennale of Graphic Arts.

In the more than sixty years of its existence, the Ljubljana Biennale that was founded in 1955 in the midst of the Cold War, has tirelessly responded to the ever-changing sociopolitical context while rearticulating its own identity and strategies. From the very beginning, it sought to transcend geopolitical polarities, reflecting Yugoslavia's determination to choose its own path.

The Biennale continues to draw from its history and context, taking a specific local case of technological development and its unrealised potentials as the impetus for its 34th edition. Against a backdrop of social and environmental unrest, deep in the pandemic that has fixed our bodies in place and our eyes on screens, the story of Iskra Delta and the spectres of the "lost futures" that haunt it provide a spark for imagining and constructing possible alternative presents.

Curators:
Tjaša Pogačar, Muanis Sinanović, Nevenka Šivavec

Biennale project group:
Kukla Kešerović, Aljaž Košir,
Tjaša Pogačar, Muanis Sinanović,
Nevenka Šivavec, Andrej Škufca

LET'S EXPLORE MGLC

Would you like to meet Squirlion, our master caretaker, and learn more about what goes on at MGLC?

In the booklet Let's Explore MGLC, Squirlion introduces, explains and comments on our activities, history, park and gallery, graphic arts biennial, gives us a tour of the printing studios, and much more! Otherwise, Squirlion is a mischievous squirrel teen who is really into rap.


Photo: Urška Boljkovac. MGLC Archive.

Authors
Text and editing: Lili Šturm, proofreading: Jure Engelsberger, design: Mina Fina, Ee.

The booklet is free of charge and is aimed at primary school children, teachers, educators and families. You can find it at the Info Point at Tivoli Mansion.

More

The catalogue Prints on Paper, Catalogue raisonné 2001–2020

Available from today in the MGLC Museum Shop exclusively to visitors of the exhibition Invader, Prints on Paper.


Photo: Urška Boljkovac. MGLC Archive.

The catalogue is published by Control P Editions. It is in English, has 224 pages and was printed in a circulation of 4000 copies. The introductory text entitled Repetition, Variation, Evolution was written by the curator of the exhibition, Božidar Zrinski.

A special place in the artist's oeuvre is occupied by original art books in which Invader presents and explains his work in detail. The catalogue Prints on Paper is such a book, offering a visual presentation of the artist's works on paper and a comprehensive account of them.