- About the Biennial
- Biennial history
- The 32nd Ljubljana Biennial of Graphic Arts
- The 31st Ljubljana Biennial of Graphic Arts
- The 33rd Ljubljana Biennial of Graphic Arts
- The 34th Ljubljana Biennale of Graphic Arts
The 29th Biennial of Graphic Arts
23 September−20 November 2011
The art event − the central theme of the 29th Biennial of Graphic Arts in Ljubljana − experienced a remarkable development in the twentieth century and today appears as a privileged medium. It is employed as a medium by a broad range of various figures from the contemporary art world in a broad spectrum of different forms. At the exhibition, which was sought above all to present as fully as possible the energy and vitality of the current trend of art events, a selection of such events will be presented in four different groups based on themes that are typical for contemporary art: violence, generosity, emptiness, and the search for the sacred and ritualistic. These topics were selected, among other reasons, because the events that thematize them also meet the requirement that they are not something new, neither in terms of their artistic iconographic motifs nor in terms of actual human or social practice. Events in which we can with impunity partake in violence, in "shamanistic" violence to oneself, in Dionysian or absurdist ritual, or in the establishment of an idyllic communitas that shares a common meal are, indeed, activities that have been practised and even depicted for millennia.
Visit the Biennial Blog https://29graficnibienale.wordpress.com/
Marcello Maloberti, Die Schmetterlinge essen die Bananen, 2010.
Núria Güell, Offside, 2009.
In the exhibition, as well as in an extensive programme of artistic and theoretical events, the Biennial posesed the questions: Why and how has the event become a suitable vehicle for a variety of artistic purposes, poetics, and content? Is the choice of this medium a response to specific impulses and voids in our "desacralized" everyday existence? And also, what are the potential dangers of such a development, given that it is happening more and more in the completely formalized framework of art institutions, which in recent decades not only house and exhibit contemporary art, but also commission and produce it. Thus they have become commissioners of contemporary art of a similar type and scope as were once the aristocracy and the church.
The curator of the 29th Biennial of Graphic Arts was Beti Žerovc.
List of exhibited artists and projects:
Ant Farm, Oreet Ashery, Bababa International, Robert Barry, Nina Beier & Marie Lund, Jerzy Bereś, Karmelo Bermejo, Anna Berndtson, Conny Blom, János Borsos, Tania Bruguera, Graciela Carnevale, Anetta Mona Chişa & Lucia Tkáčová, Marcus Coates, Brody Condon, Alain Della Negra & Kaori Kinoshita, Marco Evaristti, Terry Fox, Dora García, Félix González-Torres, Núria Güell, Manuel Hartmann, Alfredo Jaar, Jaša, Enrique Ježik, Regina José Galindo, San Keller, Daniel Knorr, Božena Končić Badurina, Gregor Kregar, Siniša Labrović, Liz Magic Laser, Marcello Maloberti, Teresa Margolles, Kris Martin, Dalibor Martinis, Dane Mitchell, Shana Moulton, Kusum Normoyle, OHO Group/The Šempas Family/Milenko Matanović/David Nez/Marko Pogačnik, Once is Nothing (Presentation of an exhibition curated by Mária Hlavajová and Charles Esche as part of the 2008 Brussels Biennial), Serkan Özkaya, Kim Paton, Mark Požlep, Praxis (Brainard & Delia Carey), Public Movement, Franc Purg & Sara Heitlinger, Sal Randolph, Maruša Sagadin, Hans Schabus, Santiago Sierra, Mladen Stropnik, Sz.A.F., Tan Ting, Unguarded Money (Presentation of an action carried out in Budapest in 1956 by Miklós Erdély and the Hungarian Writers Union), Matej Andraž Vogrinčič, Wang Jin, Anna Witt.
Kim Paton, The Free Store Project, 2010−2011.
Photo: Erica Sinclair.
Dora García, Steal This Book, 2009−.
Courtesy of CGAC, Santiago de Compostela.
Ant Farm, Media Burn, 1975.
Photo: Bill Harlan.
Mark Požlep, Napalm Your Personal Disco, performance
Thursday, 22 September, 10:00, in front of the Alkatraz Gallery
Marcello Maloberti, Die Schmetterlinge essen die Bananen, performance
Friday, 23 September, 18:30, in front of the Museum of Modern Art
Nina Beier & Marie Lund, The Division, event
50 beautiful people were invited to join the visitors at the opening event.
Božena Končić Badurina, Gathering, performance
Friday, 23 September, 20:30, Museum of Modern Art
Praxis (Brainard & Delia Carey), Performing Miracles, performance
Friday, 23 September, 21:30, in front of the International Centre of Graphic Arts
Bababa International, Repair, workshop
Saturday, 24 September−Sunday, 16 October (except Mondays), 10:00−18:00, exhibition site on Gosposvetska cesta 12
Matej Andraž Vogrinčič, The Biennial Bakery, event
Saturdays and Sundays during the Biennial, 10:00−18:00, International Centre of Graphic Arts
Praxis (Brainard & Delia Carey), The New Economy, performance
Saturday, 24 September−Sunday, 9 October (except Mondays and Tuesdays): Saturdays and Sundays, 10:00−13:00 Wednesday−Friday, 16:00.−18:00, International Centre of Graphic Arts
Franc Purg, Privileged Tactics 1, workshop
Tuesday, 27 September, 16:00−18:00, International Centre of Graphic Arts
Kusum Normoyle, S.I.T.E. (Screaming In The Everyday: Ljubljana), series of performances Friday and Saturday, 7−8 October, on the streets of Ljubljana
Shana Moulton, The Galactic Pot Healer II, performance
Friday, 14 October, 18:00, Gallery of Cankarjev dom
Maruša Sagadin, My Bosses − We Bosses, action
Tuesday−Sunday, 6−23 October, on the streets of Ljubljana
San Keller, San Keller Carries You Up to Art, performance
Friday, 4 November, 16:00.−17:00, Saturday, 5 November, 10:00−17:00, in front of the Museum of Modern Art
Božena Končić Badurina, No Faces, performance
Saturday, 5 and 19 November, 10:00−18:00, Museum of Modern Art
Sal Randolph, 5 Euros Near Something Blue, money action
Tuesday, 15 November, 12:00−15:00, the central market in Ljubljana
János Borsos, Trinity Model, laser installation
Every day during the Biennial, Tuesday−Sunday, 17:30−18:00, Gallery of Cankarjev dom
Mladen Stropnik, RABBIT FUCK, series of performances
October, November, streets of Ljubljana, Tivoli Park
Jaša, a performance in which the artist assumes the character of the priest from the STARDIM project: To Whom It May Concern My Life Is Falling Apart.
Discussions with Artists
In a series of discussions, artists are asked about the use of art events in their own practice. The emphasis are on the question of why, and in what way, the event is such an appropriate vehicle for their aims and aesthetics. The discussions is framed in national contexts, or in the context of particular art centres, in an attempt to ascertain the current development and state of the medium of the "art event" in selected regions on the global art map.
Thursday, 6 October, 18:00: Bababa International and Kusum Normoyle (Australia)
Thursday, 13 October, 18:00: Praxis (Brainard & Delia Carey) and Shana Moulton (New York)
Thursday, 20 October, 18:00: Maruša Sagadin and Anna Witt (Vienna)
Thursday, 10 November, 18:00: Mark Požlep, Mladen Stropnik, Matej Andraž Vogrinčič, and Jaša (Slovenia)
Thursday, 17 November, 18:00.: Božena Končić Badurina and Siniša Labrović (Croatia)
At the International Centre of Graphic Arts
Marathon of Lectures and Discussions on the Event as a Phenomenon
Distinguished representatives from the Slovene media, the state administration, the church, non-government organizations, the business world, the art world, and various scholarly fields attempted to explain the kinds of purposes for which events are used in their fields and what is hoped to be gained by using them. They also reflected on the question of where the, obviously, very extensive phenomenon of the "eventification" of contemporary life might be leading us.
Speakers: Alenka Arko, Tina Bolcar, Marko Brecelj, Miha Burilov, the Eko Krog. Association, Hajrudin Hromadžić, Janez Janša, Zoran Kanduč, Vlado Kotnik, Miha Kozorog, Lenart J. Kučić, Gorazd V. Mrevlje, Vinko Potočnik, Mitja Rotovnik, Andrej Rozman Roza, Božo Rustja, Peter Simonič, Andrej Studen, Jože Vogrinc, and Pavle Vrhovec.
The Marathon began on Friday, 30 September, at 10:00, at the International Centre of Graphic Arts.
Symposium: The Event as a Privileged Medium in the Contemporary Art World
The symposium were addressed specific "targeted" questions about the ideological significance of the profusion of events in contemporary art institutions. A varied cast of anthropologists, philosophers, historians, and art historians have been invited to participate. Speakers: Luisa Accati, Beatrice von Bismarck, Thomas Fillitz, Dario Gamboni, Werner Hanak-Lettner, Nathalie Heinich, Bojana Kunst, Henrietta Moore, Robert Pfaller, Renata Salecl.
Friday, 4 November, 11:00−19:00
Saturday, 5 November, 10:00−14:30
At the Museum of Modern Art
Sundays, 14:00−18:00: 25 September, 16 October, 13 November, 20 November
at 14:00: International Centre of Graphic Arts; at 15:00: Museum of Modern Art; at 16:00: Gallery of Cankarjev dom and Jakopič Gallery.
Venues of the 29th Biennial of Graphic Arts
International Centre of Graphic Arts, Museum of Modern Art (Moderna galerija), Jakopič Gallery, Gallery of Cankarjev dom, exhibition sites on Gosposvetska cesta 12 and Vošnjakova ulica 4
Exhibition for the winner of the 28th Biennial of Graphic Arts Justseeds Artists' Cooperative, Refuge, 2011
Installation, mixed media (screen printing, linoleum and woodblock printing, sculpture)
Justseeds members: Roger Peet, Meredith Stern, Mary Tremonte, Shaun Slifer, Josh MacPhee, Colin Matthes, Dylan Miner, Santiago Armengod, Thea Gahr, Erik Ruin, Bec Young, Pete Yahnke, Kevin Caplicki, Molly Fair, Jesse Purcell www.justseeds.org
Founded in 1998, Chicago, Illinois, as the graphics distribution project of Josh MacPhee, Justseeds became an artists' cooperative based in Portland, Oregon, in 2007. The organization is currently headquartered in Pittsburgh, Pennsylvania, USA, with members from cities in the United States (Oakland, California; Portland, Oregon; New York City, New York; Pittsburgh, Pennsylvania; Providence, Rhode Island; East Lansing, Michigan; Milwaukee, Wisconsin; and Chicago, Illinois), Mexico (San Cristóbal de las Casas), and Canada (Montreal).
»This work, entitled Refuge, will focus on themes of migration and displacement. We will create an absorbing environment of images and structures bearing on the movement of people, creatures, goods, and ideas within our globalized system of exchange and communication. The heart of the work will be migrations resulting from war or economic necessity, and displacements resulting from exploitation and environmental despoliation: we will dissect a global system built on cheap resources and cheap labour, and illustrate attempts by individuals, societies, ideas, and ecological unions to break out of that system's constraints. We will use graphic and colourful techniques of printing and reiterative layering to create narratives, seeking to parse the goals and motivations of those involved. We want to draw attention to the cracks that exist within an otherwise precisely machined system of regulation and enforcement, and what is able to slip through those cracks. The work will include kiosks distributing maps of the landscapes involved, and hidden within the narratives will be nests, places of refuge, where those in flux, whether humans, animals, or ideas, have taken rest.« (Justseeds for the Catalogue of the 29th Biennial of Graphic Arts)
The curator of the exhibition: Božidar Zrinski
Open: 22 September−20 November 2011, Alkatraz Gallery, Tuesday−Sunday, 10:00−18:00.
Public tours: Wednesdays, 17:00: 5 October, 26 October, 16 November.
École de Paris
13 September−30 September 2011, Lek Gallery, Monday–Friday, 9:00−19:00.
The Catalogue of the 29th Biennial of Graphic Arts
The 29th Biennial of Graphic Arts is followed by large illustrated catalogue, in Slovene and English that places the art event as a privileged medium.
Producer: International Centre of Graphic Arts
Sponsors of the 29th Biennial of Graphic Arts
Main sponsor: Lek
Media sponsors: Delo, Mladina, Tam-Tam
Supported by: The Slovenian Tourist Board, Uršič, MIWE, Austrian Culture Forum, British Council, Pro Helvetia, Embajada de Espana, Embajada de México/Embassy of Mexico, Food Technology School of the Biotechnical Educational Centre in Ljubljana
The media sponsor of the 29th Biennial of Graphic Arts is newspaper Delo.
We are inviting you, to experience Delo 24 hours per day, 7 days per week – on print, web and mobile platforms. Join other subscribers of Delo and enjoy the benefits of Premium users.
More on website www.delo.si/premium_uporabnik.
The 28th Biennial of Graphic Arts
4 September−25 October 2009
Jorgen Craig Lello & Tobias Arnell, Reverse View, 2009.
The 28th Biennial of Graphic Arts is a multifaceted event with a long tradition; it consists of a number of exhibitions as well as other happenings. Once again, the Biennial's central exhibition, The Matrix: An Unstable Reality, on view for two months in Ljubljana galleries, will focus on contemporary graphic art in the broadest sense of the term.
At the invitation of the International Centre of Graphic Arts, which proposed the theme of the main show, this idea was further developed and shaped by Galerija Alkatraz, Galerija Ganes Pratt, Galerija Jakopič, Galerija Kapsula, and Galerija Škuc, which are also serving as venues for the Biennial. Alongside the central exhibition, the 28th Biennial of Graphic Arts includes as well the Artist's Book Salon, the traditional exhibition for the winner of the Grand PriX from the previous Biennial, and a number of accompanying exhibitions.
Hungarian Double-Tailed Dog, Punk, 2008, stencil.
Igor Eškinja, Desktop, 2006, lambda print.
The Matrix: An Unstable Reality
The exhibition responded to certain vital questions for society and art raised by the cult movie trilogy The Matrix. Does a medium stay the same once it incorporates new technologies in its discourse? Does this increase the audience for art? What is the social power of those who possess the matrix? Is the possession of the matrix enough to also justify exclusive reproduction rights? Can we create a perfect world, whether real or virtual? The exhibition offers a selection of more than eighty internationally established and emerging artists. Their work extends from traditional and contemporary printmaking to artist's books and interventions in the public space, in the mass media, and on computers.
Afsoon, Vahram Aghasyan, Julieta Aranda, Nika Autor, BAS/Bent, Viktor Bernik, Anita di Bianco, Sabine Bitter & Helmut Weber, BridA (Sendi Mango, Jurij Pavlica, Tom Kerševan), Chto Delat (Dmitry Vilensky), Lee Chul Soo, Jorgen Craig Lello & Tobias Arnell, Ksenija Čerče, Vuk Ćosić, Vesna Drnovšek, Igor Eškinja, Małgorzata Etber Warlikowska, Jesper Fabricius, Jakup Ferri, Ivan Fijolić, Ye Funa, Fernando García, Samuel Grajfoner, Ivan Grubanov, Dejan Habicht, Bu Hua, Hungarian Double-Tailed Dog, Ištvan Išt Huzjan, Space Invader, Justseeds, Dejan Kaludjerović, David Kareyan, Sameera Khan, Taiyo Kimura, Iva Kovač, Jelena Kovačević, Matej Košir, Borut Krajnc, Ana Lozica, Tanja Lažetić, Nicola López, M-City, Ján Mančuška, La Más Bella, Ines Matijević Cakić, Eva & Franco Mattes, Zhang Minjie, Tracey Moffatt, Ivan Moudov, Carlos Motta, Alban Muja, Nika Oblak & Primož Novak, Ahmet Ögüt, Juan Perez Agirregoikoa, Cesare Pietroiusti, Nada Prlja, radioCona, Société Réaliste, Betsabeé Romero, Francesc Ruiz, Adrian Sauer, Klaus Schafler, Nana Shiomi, Jelena Sredanović, Katja Sudec, Therese Sunngren, Swoon, Miha Štrukelj, Marko Tadić, Tomaž Tomažin, Nasan Tur, Ignacio Uriarte, Huiqin Wang, Patrick Ward, Maria Alicia Zamora Noguera, Moises Yagües Fernandez, Katarina Zdjelar.
La Más Bella, La Más Bella TÚ, 2003, wallet containing works
by 50 artists, edition: 1000 copies.
Art director: Božidar Zrinski
Curators: Gülsen Bal & Alenka Gregorič, Petja Grafenauer, Jadranka Ljubičič, Tadej Pogačar
Venues: International Centre of Graphic Arts, Tivoli Mansion, Alkatraz Gallery, Ganes Pratt Gallery, Jakopič Gallery, Kapsula Gallery, Škuc Gallery, and also Europlakat billboards in Ljubljana, media spaces and the 28th Biennial of Graphic Arts catalogue
Open: 4 September−25 October 2009, Tuesday-Sunday, 11:00−18:00.
Members of the Grand Prix Award Jury of the 28th Biennial of Graphic Arts were:
Katia Anguelova, Milano; Jota Castro, Brussels; Bassam El Baroni, Alexandria; Valeriya Ibrayeva, Almaty; Kim Jyeong-Yeon, Seoul; Eha Komissarov, Tallinn; Julia Moritz, Leipzig.
The jury has awarded the Grand Prize to Justseeds, Artists' Cooperative from USA Justseeds.org.
Interview with members of the jury: https://vimeo.com/6432691
Justseeds, Jesse Purcell, A Gift from
the People of the USA, serigraphy, 2007.
Artist's Book Salon
The Biennial of Graphic Arts devotes a special event to the artist's book, a form of artistic expression that is appearing with increasing frequency in Slovenia and abroad. The Artist's Book Salon offers a selection of contemporary works from independent international publishers and individual artists. Along with a fair where visitors may buy artist's books, the event also includes a series of talks.
Bas/BENT (Turkey), Eloisa Cartonera (Argentina), Chto Delat (Dmitry Vilensky; Russia), Jesper Fabricius (Space Poetry; Denmark), Maja Franković (Croatia), Tadej Pogačar (Zavod P.A.R.A.S.I.T.E., Slovenia), István Szirányi (Hungarian Artist's Books Association), Škuc Gallery (Slovenia).
Talks program: Saturday, 5 September,
16:00 Darko Šimičić: The Artists' Magazines Gorgonaand Maj 75
16:30 Chto Delat art group (Dmitry Vilensky; from Russia)
17:00 Bas/BENT art group (from Turkey)
17:30 Jan Voss: Boekie Woekie online bookstore
Co-ordinator: Breda Škrjanec
Location: International Centre of Graphic Arts
Ksenija Čerče, Library of Water, 2008−09, mapping.
Tomaž Tomažin, Our Army, 2008, video still.
After Gogo: A New Era of Korean Art
Based on a proposal by Jeon Joonho, the winner of the Grand Prix of the 2007 Biennial, the exhibition presented the "post-gogo" generation of South Korean artists. Their work re-examines various issues in contemporary Korean society − a society divided between North and South in which the Cold War is still very much alive. These artists were born in the 1960s, when their parents were working hard to rebuild the country after the Korean War. They grew up in the 1970s, when American soldiers brought "gogo" music to Korea and the country was inundated with mass dance parties in "gogo clubs" (also known as "chicken coops") and gogo became a synonym for the pleasure culture of the younger generation. They began making art in the 1980s. What especially distinguishes them from the previous generation is the fact that they are well aware of the world outside the chicken coop.
Artists: Kim Kira, Jang Minseung & Kim Check, Jeon Joonho, Lee Yongbaek, MOON Kyungwon, Lee Sea Hyun, Moon Hyungmin, Ligyung.
Curator: Kim Jyeong-Yeon
Venue: Cankarjev dom Gallery
Open: 4 September−25 October 2009, Tuesday−Sunday, 11:00−18:00.
MOON Kyungwon, Passage: Sungnyemun, 2008, media installation, 2 LCD projectors, computer, custom software.
Lee Yongbaek, Mirror, 2007, monitor, mirror, Mac Mini, stereo speaker.
An accompanying exhibition by Pionirski dom.
The two displays present edart prints created by children over the past fifty years; these prints are part of the vast art archives of Pionirski dom in Ljubljana.
Tonček Dežman, monotype.
The display on the large panels along Jakopič Promenade presented sixty colour photographic enlargements of children's art prints. They were created under the mentorship of respected printmakers such as Alenka Gerlovič, Bogdan Borčić, Tinca Stegovec, and many others, who introduced children and young people to the magical world of printmaking in the art workshops of Pionirski dom. The exhibition was created in collaboration with the Ljubljana Tourist Board.
Curator: Tina Pleško
Venue: Jakopič Promenade, Tivoli Park, 4 September−29 November 2009
The display at the Art Center presented nearly all the works by children in the Pionirski dom archives − more than a hundred prints and matrices. Pionirski dom reprinted many of the works for the exhibition. A special selection was arranged in groups so as to present a chronological survey of the archives, showing both classical printmaking processes and contemporary approaches to graphic art.
Curator: Iztok Amon
Venue: Pionirski dom − Art Center, 8 September−29 November 2009, Monday−Thursday, 15:00.−19:00; Friday, 16:00−19:00.
Motivation, Creativity and Innovation in Prints by Children and Youth
An accompanying educational exhibition by Žalec Elementary School.
The exhibition was part of the international conference Motivation for Creativity and Innovation in Youth, organized by the education section of the Union of Slovene Fine Artists Associations in collaboration with the National Education Institute of Slovenia, the Department of Art and Music Education of the Faculty of Education (University of Ljubljana) and InSEA- www.insea.org (the International Society for Education through Art). It presented a selection of the finest award-winning art prints from the collection of Žalec Elementary School No. 1, which has presented the Biennial of Children's Prints since 1981. The works show the process of making a print from the creation of a matrix to the impression; at the same time, the exhibition takes account of children's developmental levels and printmaking techniques adapted to their abilities. On view were both large prints, demanding a great deal of patience and persistence in their execution, and smaller ones, which although less demanding were more intimate works. The prints revealed the rich and magical world of children's motifs, from realistic to fantastic images relating to ecology, folk customs, sports, school life, and the world of animals and plants.
Curator: Neli Šuler
Venue: International Center of Graphic Arts, Tivoli Mansion
13−18 October 2009, Wednesday−Sunday, 11:00−18:00.
Jonatan Sobočan Zajc, The Saxophone Player, 2005, collography.
Matej Lavrenčič, Visit Romania in 2009, The Year of Ecology, 2009.
Greetings from Cartoonia
An accompanying exhibition by Stripburger.
Greetings from Cartoonia was an international comic-strip project produced by Forum Ljubljana, Stripburger magazine, and a number of associated Slovene and foreign organizations. The works, which were created for the exhibition in the print workshops of the International Centre of Graphic Arts, were the result of a lively intercultural dialogue. Artists from abroad were given the task of creating a portrait of Slovenia, while artists living in Slovenia were asked to make a portrait of the countries their foreign colleagues came from. The comics presented the viewer with an unconventional look at the countries of Europe and their inhabitants, which transcended national stereotypes and cultural differences in its fantastic interpretations and humour. To coincide with the exhibition, a special edition of Stripburger magazine was be released − Greetings from Cartoonia (Pozdravi iz Striponije) − and a diverse program of events is also planned, including a poetry reading, a discussion, a jam session, and animated films.
Filipe Abranches, Kaja Avberšek, Matei Branea, Andrea Bruno, Jyrki Heikkinen, Bendik Kaltenborn, Jakob Klemenčič, Marko Kociper, Matej Lavrenčič, Gašper Rus, Mateusz Skutnik, Matej Stupica.
Venue: Slovene Ethnographic Museum
22 October−29 November 2009, Tuesday−Sunday, 10:00−18:00.
Jyrki Heikkinen: Kiitosvirret
An accompanying exhibition for Stripburger's Greetings from Cartoonia.
Venue: Café Kinodvor
23 October −8 November 2009, Monday−Wednesday, 10:00.−12:00 midnight, Thursday,
10:00−13:00, Friday, 10:00−14:00, Saturday, 12:00 noon−14:00 Sunday, 10:00−12:00 midnight
In the exhibition, the Finnish artist Jyrki Heikkinen, who has won a number of awards for his work, presented a selection of his poetry, which he has turned into comics.
The Catalogue of the 28th Biennial of Graphic Arts
Large illustrated catalogue, in Slovene and English, is dedicated to the memory of Dr. Zoran Kržišnik, the founder of the Biennial and for many years its director. The catalogue offers a complete overview of the exhibiting artists with essays by the curators of the Biennial exhibitions. In addition, the catalogue is itself one of the venues for the show The Matrix: An Unstable Reality.
Producer: International Centre of Graphic Arts
Co-producers: Cankarjev dom, Gallery Alkatraz, Gallery Ganes Pratt, Gallery Kapsula, Gallery Škuc, Museums and Galleries of Ljubljana, Pionirski dom − Art center, Stripburger/Forum Ljubljana, The National Education Institute.
Main sponsor: Lek, a Sandoz company
Sponsors: Gorenje, Hyundai, Mercator, Petrol, Vileda
Media sponsors: Delo, Europlakat, Radio Center, Radio Študent
Supported by: Arts Council Korea, Austrian Culture Forum of the Embassy of the Republic of Austria in Ljubljana, Programme Culture, Italian Culture Centre in Ljubljana, México 2010, Fondo Nacional para la Cultura y las Artes, Ministry of Culture of the Republic of Armenia, Embassy of the Republic of Turkey, Embassy of the United States of America, Statens Kunstraad − Denmark, Ljubljana Tourist Board
27th Biennial of Graphic Arts
6 September−28 October 2007
The 27th Biennial of Graphic Arts took as its point of departure and theme for reflection that turning point in the history of art when the ease of technical reproduction made reproducibility a new quality in the work of art and transformed the very concept of art in essential ways. At the same time, it made reference to the theses of the renowned philosopher Walter Benjamin and their subsequent development in contemporary art theory. The reproducibility of art has changed the way we understand the notions of the copy and the original. It has influenced new meanings of authorship, the roles of the artist and the technician, the link between technology and art, and so on. Reproducibility has led to multiple production, wider accessibility, and an artwork's ability to be simultaneously present in different situations and socio-political environments. Artists have welcomed reproducibility as something that gives them new and diverse possibilities for expression and content.
The exhibitions of reproducible art at the 27th Graphic Arts Biennial presented a variety of art forms, from traditional printmaking to printed matter, video, photography, and computer - and Web-based art.
Jeon Joonho, The White House, 2005−2006, computer animation, 32' 16".
Grand Prix of the 27th Biennial of Graphic Arts.
The Unbound Eyes of Anxiousness
The main exhibition of the Biennial presented artists from various generations and stylistic orientations who have, in the past years and decades, marked both Slovene and international art and society. The title of the exhibition speaks of a key moment in artistic creation − i.e. when a given idea gains a visual form: the creative anxiousness present in the mind of artist thus becomes unbound, freed of "chaos", and is transformed in to a visible work of art.
Curated by Lilijana Stepančič, Breda Škrjanec, Božidar Zrinski.
Nancy Spero, Israeli Women Soldiers, 1993, handprinting on paper.
son:DA, wall Nr_027.psd, 2007, wall-paper.
Mikael Kihlman, Paradise Lost, 1999, drypoint.
Dan Perjovschi, The First Half Year Big Book, 2007, art project in the catalogue.
Exhibition spaces and participating artists:
Ljubljana municipal bus service, Tivoli Park, Ljubljana Maternity Hospital, Ribji trg: Anamarija Šmajdek. Billboards, Ljubljana (Bežigrad, Center): Zora Stančič.
The catalogue of the 27th Biennial of Graphic Arts: Metka Krašovec, Dan Perjovschi, Dušan Pirih Hup, Boštjan Pucelj, Andrej Štular.
International Centre of Graphic Arts: Paweł Althamer & Artur Żmijewski, Christiane Baumgartner, Goran Bertok, Günter Brus, Peter Fuss, Dominique Gonzalez-Foerster, Peter Halley, Jeon Joonho, William Kentridge, Mikael Kihlman, Vladimir Makuc, Ivan Picelj, son:DA, Nancy Spero.
Modna hiša, Ljubljana, Mercator Center Maribor, Mercator Center Celje: Marija Mojca Pungerčar.
Maximarket, Ljubljana: Beli sladoled.
Poster sites, Ljubljana (Railway Station − Trg OF, Borštnikov trg − Ferant): Arjan Pregl.
Website www.indija.si: Društvo za domače raziskave.
Website www.jaka.org/2007/razorganizator: Jaka Železnikar.
Private apartments, Ljubljana: Danilo Jejčič, Kim Seung Yeong, Živko I. Marušič, Anamarija Šmajdek, Ben, Sašo Vrabič.
Cankarjev Dom Gallery
It is a tradition of the Ljubljana Graphic Arts Biennial to present a solo exhibition of work by the artist who won the Grand Prix at the previous Biennial. Stigma, an exhibition of art from Puerto Rico, presented contemporary political art from Latin America and the Caribbean. The artworks on display arose out of the need to create images of the troubles facing our times and global society: war, colonialism, prejudice, technology, tourism, and unbridled violence. These problems are like stigmata - they are the bodily pain and wounds out of which artists from Puerto Rico draw their inspiration.
Curated by Marimar Benítez.
Garvin Sierra, Invasive Capitalism −Iraq, 2007, digital print on banknotes.
Participating artists: Allora & Calzadilla, Papo Colo, Miguel Luciano, Antonio Martorell, Omar Obdulio Pena Forty, Raquel Quijano, Carlos Reyes, Arnaldo Roche, Garvin Sierra, Rafael Trelles, Carlos Ruiz Valarino.
Accompanying Exhibitions/From the Sternens to the Comic Strip
Thomas Nozkowski: Works on Paper
13 August−9 September 2007, City Art Museum Ljubljana, Permanent Collection Gallery
Thomas Nozkowski, Untitled, 2007, oil on paper.
Thomas Nozkowski's paintings on paper map the terrain of the mind: its memories, delights, and histories. They are often larger than his canvases yet they are not studies; they are finished, articulate, and raw. In an increasingly isolated and digitally rootless world, Nozkowski's quirky works reassure the viewer that art can still be hand-made, touching, smart, and personal. Curated by Aleksander Bassin.
The Artist's Book: New Acquisitions by the P74 Center and Gallery
3. 9.−20. 9. 2007, P74 Center and Gallery
Zora Stančič, Nothing Special, 2007, artist's book.
An artist's book is an idea of a book that is entirely conceived by an artist, and is a work of art. P74 Center and Gallery acquired the first artists books in 2003. The exhibition accompanying the 27th Biennial of Graphic Arts presented works gathered through public calls in 2004, 2005, and 2006, as well as other new acquisitions of the P74 Center and Gallery. Curated by Urška Jurman.
Participating artists: Andrejka Čufer, Dejan Habicht, Jure Engelsberger, Wiebke Loeper, Katerine Seda, Zora Stančič, Mladen Stilinović, Matej Stupica, Jaka Železnikar, Temporary Services, Goran Trbuljak etc.
First Impressions: The Beginnings of the Modern Art Print in Slovenia
4 September−14 October 2007, National Gallery of Slovenia − National House Gallery
Rozalija Klein-Sternen, Making an Etching, 1920, etching.
Between 1900 and 1920, we witnessed sporadic and spontaneous attempts in the field of art prints and printmaking in Slovenia. These were conceived by some Slovene artists who, under the influence of living through the problematics of painting, and the rise increasingly intensive visual communications, sought new possibilities for their creativity in the graphic arts and printmaking. Their work had the quality of research and experimentation; it also remained predominantly unknown to the public.
Curated by Andrej Smrekar.
Participating artists: Božidar Jakac, Rozalija Klein-Sternen, Tone Kralj, Veno Pilon, Hinko Smrekar, Matej Sternen, Saša Šantel, Helena Vurnik.
4 September−16 September 2007, Kapelica Gallery
Les Requins Marteaux, Mr. Ferraille, from the museum's archives.
The iron robot Mr. Ferraille made his first appearance in the newspapers in 1924, and praised the elixir of eternal youth. So began the story of his success. The Musée Ferraille is a museum type exhibition that introduced the viewer to the history of comics character Mr. Ferraille, his rise and fall, his mutations through time as well as those of his makers − Waltshluss and Gonz. The Museum was established in 2003 by the French society Les Requins Marteaux. It first went on public display at the international comics festival Angouleme 2003.
Production: Stripburger/Forum Ljubljana
Supported by Institut Francais Charles Nodier
More on www.ljudmila.org/stripcore/mf/
3500 cm²: Art Poster Project
5 September−20 September 2007, Alkatraz Gallery
Vadim Fiškin, poster, 2007.
The point of departure of this project was a poster from which the artist createe an artwork. Thus, and on the one hand, the poster is a mass object that disseminates images. On the other hand, however, the poster is also an author's print. As such it represents an alternative cultural platform that broadens the communicative possibilities of art. It is a modular project that can be adapted to, and developed in, different circumstances. The single most important aim of the project was to create a constant dialogue with the public. Curated by Lorenzo Benedetti.
Participating artists: Carla Accardi, Nicoletta Agostini, Maria Thereza Alves, Mark Bain, Kuba Bakowski, Massimo Bartolini, Elisabetta Benassi, Wolfgang Berkowski, Dafne Boggeri, Sarra Brill & Chiara Graziani, Alessandro Bulgini, Pedro Cabrita Reis, Chiara, Paolo Chiasera, Marco Fedele di Catrano, Jimmie Durham, Davide D'elia, Vadim Fiškin, Parastou Forouhar, Stefania Galegati, Rainer Ganahl, Mario Garcia Torres, Christoph Girardet, Stanislao Di Giugno, Globalgroove, Luis Gonzales Palma, Laurent Grasso, Heidrun Holzfeind, Silvia Iorio, Yun-Fei Ji, Rob Johannesma, Marco Klefisch, Gabriel Lester, Chi Wo Leung, Alon Levin, Robert Lippok, Giuliano Lombardo, Flavio de Marco, Jeannette Montgomery Barron, Liliana Moro, Vlan Nanca, Elena Nemkova, Carsten Nicolai, Olaf Nicolai, Dennis Oppenheim, Laura Palmieri, Mikael Paananen & Linda Tallroth, Jorge Peris, Alessandro Piangiamore, Federico Pietrella, Giuseppe Pietroniro, Cesare Pietroiusti, Ph.on (Dario D'aronco & Roberto Gammone), Riccardo Previdi, Emilio Prini, Rä di Martino, Philippe Rahm, Marco Raparelli, Annie Ratti, Max Renkel, Luigi Rizzo, Guendalina Salini, Andrea Salvino, Corrado Sassi, Maurizio Savini, Donatella Spaziani, Paolo William Tamburella, Luca Trevisani, Costa Vece, Luca Vitone, Emiliano Zelada, Italo Zuffi.
Supported by Foto Tivoli d.o.o.
Printed at MGLC
5 September−21 September 2007, Kresija Gallery
Karel Zelenko, The Hermit, 1988, etching.
From its beginnings in 1986, the International Centre of Graphic Arts has hosted, published and printed in its print studios the works of many artists. Quite a few among them gave their graphic oeuvres to the Centre, and quite a lot of prints made through such cooperation have received various international prizes. This exhibition presented a selection of works printed in the techniques of aquatint, etching, dry-point and whetstone. The artworks on display were on sale. Supported by Vinska klet Berce.
Coordinator: Petra Klučar
Participating artists: Getulio Alviani, Richard Anuszkiewicz, Janez Bernik, Bogdan Borčić, Andreas Christen, Jože Ciuha, Vesna Črnivec, Anthony Hill, Drago Hrvacki, Andrej Jemec, Janusz Kapusta, Julije Knifer, Metka Krašovec, Laibach, Edoardo Landi, Lojze Logar, Peter Lowe, Vladimir Makuc, Manfredo Massironi, Almir Mavignier, Kiar Meško, François Morellet, Klavdij Palčič, Ivan Picelj, Zora Stančič, Jeffrey Steele, Joël Stein, Miha Štrukelj, Petar Waldegg, Huiqin Wang, Ryszard Winiarski, Karel Zelenko.
Events as parts of art projects
Marija Mojca Pungerčar, Socialdress
Wednesday, Friday, 26−28 September, 16:00, 19:00, Modna hiša, Ljubljana Saturday, 13th October, 11:00, 18:00, Mercator Center Celje
Saturday, 20th October, 11:00, 18:00, Mercator Center Maribor
Marija Mojca Pungerčar's art project transforms sewing into a pleasurable and useful social activity. Participants of the Socialdress workshops create witty and functional clothes that worked to integrate the community spirit. More at www.3via.org/socialdress. Supported by Tekstina d.d. Ajdovščina.
Jaka Železnikar, Install Party
Friday, 12th October, 20:00 MGLC
The www.jaka.org/2007/razorganizator website presents the work Razorganizator/ Disorganizer. The viewer was invited to the presentation of the contents of the work, the installation, set-up, and trial of the programme. This get together was also enhanced with a party.
The catalogue of the 27th Biennial of Graphic Arts
The 27th Biennial of Graphic Arts was accompained by a large illustrated catalogue, in Slovene and English which presented a complex overview of the eight exhibitions forming the Biennial; theoretical essays on the philosophy of Walter Benjamin and documentation concerning the participating artists and a list of exhibited artworks. The catalogue was also one of the exhibition sites of The Unbound Eyes of Anxiousness.
Producer: International Centre of Graphic Arts
Co-producers: Alkatraz Gallery, Cankarjev dom, City Art Museum Ljubljana, Galerija Kapelica, Instituto de Cultura Puertorriquena, National Gallery of Slovenia, P74 Center and Gallery, Stripburger/Forum Ljubljana
Main sponsor: Mercator
Sponsors: ACH, Gorenje, Lek, Petrol, Marand
Media sponsors: Europlakat, Radio Center, Delo
Supported by: Österreichisches Kulturforum Laibach, Istituto Italiano di Cultura di Lubiana, Goethe-Institut Ljubljana
26th Biennial of Graphic Arts
23 June−2 October 2005
The title of the Biennial, Thrust, spoke to the power of the Biennial, which for fifty years had been one of the engines behind both Slovene culture and international graphic arts.
The artistic director for the 26th Biennial of Graphic Arts is the respected Slovene art historian Jure Mikuž. The concept for the show underscores the 50th anniversary of the Biennial, the wide diversity of views on contemporary graphic arts, and process as an organizational approach to staging an exhibition. He has invited eighteen prestigious institutions from all over the world to each present an exhibition that attempts to answer the question: What are the graphic arts today? Their answers give form to the artistic criteria of the cultural and geographic settings in which these institutions operate and thus help to constitute a postcolonial perspective on art. This approach underscores the great diversity of art as it exists today in our globalizing world.
The 26th Biennial of Graphic Arts began with the symposium in December 2004 at the MGLC and ended with the exhibition in June 2005 in Tobačna Ljubljana.
Grand Prix: San Juan Poly/Graphic Triennial: Latin America and the Carribean, Puerto Rico.
Photo: Tomaž Lunder.
Participating institutions and artists:
Bharat Bhavan International Print Biennial, Bhopal, India: Raj Mohammad Pathan.
Bibliotheque nationale de France, Paris, France: François Morellet, Paul-Armand Gette, Jean Le Gac, François Bouillon, Gérard Collin-Thiebaut, Jean-Michel Alberola, Yves Chaudouët, Françoise Petrovitch.
Curator: Marie-Cécile Miessner
Birmingham Museums and Art Gallery, Birmingham, Great Britain: Paul Coldwell, Jane Dixon, Lucian Freud, Jane Joseph, Peter Kennard & Cat Picton Phillipps, Hughie O'Donoghue, Anne Rook, Colin Self, Ian Tyson, Catherine Yass, Webproductions (Telfer Stokes, Helen Douglas).
Curator: Tessa Sidey
Brooklyn Museum, New York, USA: Devorah Sperber.
Curator: Marilyn Kushner
Calcografía Nacional, Real Academia de Bellas Artes de San Fernando, Madrid, Spain: Juan Alberto García de Cubas, Mónica Gener, Centro I+D de la Estampa Digital, Calcografía Nacional, Anish Kapoor, Jesús Pastor, Elena Jiménez.
Curators: Javier Blas and María Zozaya
Egyptian International Print Triennial, Giza, Egypt: Amira Ehsan Abdel Malek, Eman Ezzat Elshazli, Moataz Mohamed Abdallah, Mohamed Nabil Abdel Salam, Rania Wagdy AbdAlla Mahmoud, Wael A. Sabour A. Kader.
Curator: Medhad Nasr Ali
Graphica Creativa International Print Triennial, Jyväskylä, Finland: Tuija Arminen, Hanna Oinonen.
International Centre of Graphic Arts, Ljubljana, Slovenia: son:DA, Marija Starič Jenko & Almira Sadar, Annu Vertanen, Federico Pietrella, Ingrid Ledent.
Curators: Breda Škrjanec and Božidar Zrinski
International Print Triennial, Krakow, Poland: Andrzej Bednarczyk, Ksawery Kaliski.
Curator: Tomasz Gryglewicz
Istituto Nazionale per la Grafica, Rome, Italy: Massimo Bartolini.
Curator: Luigi Ficacci
National Taiwan Museum of Fine Arts, Taiwan: Shiou-ping Liao, Hsi-chi Li, Yang-che Liu, Yu-hui Chung, Chen-ping Tung, Shyh-twan Hwang, Hsueh-chin Lin, Chin-cheng Chu, Dean-e Mei, Ming-die Yang, Sheng-min Hsieh, Hung-yu Chang, Hsin-chen Chang, Ping-ho Lo, Juo-lan Kao, Ming-feng Hsu, Chao-an Lin, Yung-chin Chen, Yu-tzu Wu, Hsing-hsuen Wu, Hsiang Cheng, Chin-jui Pan, Yu-chi Wang, Hui-Lan Chang.
Curator: Judith Wan-ju Wang
Neue Galerie am Landesmuseum Joanneum, Graz, Austria: Jörg Schlick.
Curator: Elisabeth Fiedler
Novosibirsk Biennial of Contemporary Graphics, Novosibirsk, Russia: Rinat Minnebaev, Svyatoslav Ponomarev, Elena Bertollo, Vladimir Martynov, Ekaterina Rozhkova, Vladimir Nasedkin, Sergey Bryukhanov, Muratbek Djoumaliev, Gulnara Kasmalieva, Almagul Menlibaeva, Ayrat Teregulov.
Curator Vladimir Nazansky
Proyecto'ace, Buenos Aires, Argentina: Rimer Cardillo.
Curator: Alicia Candiani
San Juan Poly/Graphic Triennial: Latin America and the Caribbean, Puerto Rico: Allora & Calzadilla (Jennifer Allora, Guillerno Calzadilla), Miguel Luciano, Adál Maldonado, Antonio Martorell, Garvin J. Sierra, Mary Patierno and Natalia Munoz.
Curator: Elvis Fuentes
Sezon Museum of Modern Art, Karuizawa, Japan: Mitsuo Kano, Naoyoshi Hikosaka, Fumihiko Nishioka, Nana Shiomi, Keisuke Yamaguchi.
Curator: Sawako Ogiwara
Sofia Graphic Art International Triennial, Bulgaria: Buyan Filchev, Emil Mirazchiev, Mobile Graphic Art Room (Anastasia Panayotova, Alexander Alexov, Atanas Vassilev, Borislav Stoev, Valeri Vasilev, Valeri Chakalov, Vanko Urumov, Vesselin Damyanov, Galina Pavlova, Georgi Lechev, Gredi Assa, Darina Peeva, Dimo Kolibarov, Elena Panayotova, Zafir Yonchev, Ivan Dimov, Ivan Ninov, Kolyo Karamfilov, Kostadinka Miladinova, Maria Duhteva, Milko Pavlov, Mikhail Petkov, Plamen Monev, Plamen Penov, Plamen Solomonski, Ralitsa Nikolova, Roberto Andreev, Rumen Nechev, Rumen Rachev, Rumen Skorchev, Sasho Anastassov, Stefan Bojkov, Tedi Liho, Tihomir Manolov, Tsvetan Kazandzhiev, Yuli Minchev, Yavora Petrova, Hristo Kardzhilov).
Curator: Plamena Dimitrova-Racheva
Tallinn Print Triennial, Tallinn, Estonia: John Smith (Marko Mäetamm and Kaido Ole) and Margareete Fuks; Andres Tali and Anu Kalm, Leonhard Lapin, Silvi Liiva, Enno Ootsing, Vive Tolli, Urmas Viik; Marko Laimre and Theodor Kuul; KIWA (Jaanus Kivaste) and Kaarel Kurismaa; Kai Kaljo and Richard Kaljo; Avangard (Sandra Jogeva, Margus Tamm) and Peeter Allik.
Curators: Anders Härm and Eve Kask
The Museum of Modern Art, New York, USA/participates in the symposium only.
The 26th Biennial of Graphic Arts is accompanied by three exhibitions installed in the galleries of the International Graphic Arts Center:
American contemporary artist, winner of the Grand Prize d'Honneur of the 25th Ljubljana Biennial of Graphic Arts.
The Most Beautiful Graphic Artworks
Slovene Graphic Arts over the Past Fifty Years.
The First Line
Avant-Garde and Alternative Printers and Presses in Slovenia from Conceptualism to the Present.
The catalogue of the 26th Biennial of Graphic Arts
The 26th Biennial of Graphic Arts was accmpained by two catalogues: 26th Biennial of Graphic Arts − Thrust and Accompanying Exhibitions − Raymond Pettibon, The Most Beautiful Graphic Artworks and The First Line.
Both catalogues are sold out.
Producer: International Centre of Graphic Arts
Co-producers: Cankarjev dom, Cultural and Congress Center, Tobačna Ljubljana
The Biennial was supported by:
Autocommerce, Europlakat, Gorenje, Imos, Lek, Marand, Mobitel, Petrol, RTV Slovenija, SGP Graditelj, AFAA, British Council, Embajada de Espana, Embassy of Finland Ljubljana, Embassy of the United States of America Ljubljana, Institut français Charles Nodier, Istituto Italiano di Cultura in Slovenia, Japan Foundation, Kulturforums der Österreichischen Botschaft
Adria Airways, Aerodrom Ljubljana, Hestia pro, Prevent Global, Tam – Tam.
Sponsor: Tobačna Ljubljana.
25th International Biennial of Graphic Arts
From the Cradle to the Grave, Selected Drawings by Damien Hirst
10 June−28 September 2003
25th International Biennial of Graphic Arts at Moderna galerija, installation view.
Photo: Bojan Salaj.
Christophe Cherix, curator of the Graphic Arts Cabinet of the Museum of Art and History in Geneva, conceived the Biennial as a complex display including an exhibition of contemporary graphic work, a documentary exhibition about the history of the International Biennial of Graphic Arts from 1955 to date, prepared by Breda Škrjanec, and a symposium entitled "The Producers," led by Lionel Bovier, on the relationship between publishers and artists.
The exhibition of contemporary graphic work wass based on the importance of the multiplied image as a means of communication. The common feature of the exhibited works − artists' books, newspapers and magazines, photocopies, posters, newspaper interventions and projects, and prints − was the fact that they document the artists' ideas about their realized or unrealized, past or future projects.
Artists and projects:
John M Armleder, Art & Project, Vesna Bukovec, Vidya Gastaldon, Isa Genzken, Liam Gillick, Fabrice Gygi, Pierre Huyghe & Philippe Parreno, Irwin, Ivana Keser, Antinomian Press (Ben Kinmont), Kiosk, Ivan Kožarić, Polonca Lovšin, M/M, Lucy McKenzie, Robert Morris, Gianni Motti, museum in progress, Onestar Press, Raymond Pettibon, Permanent Food (Maurizio Cattelan & Dominique Gonzalez-Foerster), Seth Price, Tadej Pogačar & P.A.R.A.S.I.T.E. Museum of Contemporary Art, Allen Ruppersberg, Anamarija Šmajdek, Josh Smith, Erik Steinbrecher, Xavier Veilhan, Dan Walsh.
International Centre of Graphic Arts, Moderna Galerija, the Gallery at Cankarjev Dom, The National Museum of Slovenia, Park Tivoli, the billboards of Proreklam-Europlakata, the newspapers Dnevnik, Delo and Der Standard.
The catalogue of the 25th Biennial of Graphic Arts
The 25th Biennial of Graphic Arts was accompained by a catalogue in Slovene and English which received the prize for the most beautiful book in Switzerland in 2005.
From the Cradle to the Grave, Selected Drawings by Damien Hirst
As the award winner of the 24th International Biennial of Graphic Arts in 2001, Damien Hirst had a solo exhibition at the 25th Biennial. He exhibited a comprehensive volume of his drawings, ranging from the humorous ones made for friends to preparatory sketches for his installations and paintings. Over one hundred works, loaned from public and private collections, as well as the artist himself, were on view. This was the first presentation ever of Hirst's drawings and his first personal exhibition since he took a break in 2000.
A catalogue in the form of a newspaper was published to accompany the exhibition.
The exhibition was organized by the British Council. Producer: International Centre of Graphic Arts
Biennial is supported by: Adria Airways, AFAA, Autocommerce, British Council, Cultura 2000, Delo, Dnevnik, Embajada de Espana, Gorenje, Institut français Charles Nodier, Istituto Italiano di Cultura in Slovenia, Lek, Ministarstvo za kulturu Republike Hrvatske, Mlinotest, Mondrian Stiftung, Österreichisches Kulturforum, Petrol, Ljubljana, Prohelvetia, Proreklam-Europlakat, RTV Slovenija, Samex, Schweizerische Botschaft.
24th International Biennial of Graphic Arts
10 June–16 September 2001
The 24th International Biennial of Graphic Arts was marked by certain changes, with emphasis placed on the substance of the graphic arts in the context of newly emerging global art and the new internal organizational structure.
The 24th International Biennial of Graphic Arts comprised four exhibition segments
The exhibition was set in the premises of the Museum of Modern Art and the Jakopič Gallery. The curator Breda Škrjanec based her selection on the questions of how the original nature of print, or the multiplication of image and message, is reflected in mass-circulation goods, and what the common points are between art and ruling ideologies.
Greddy Assa, John Baldessari, Monica Bonvicini, Daniele Buetti, Marna Bunnell, Guan Ce, Peter Ciuha, Claude Closky, Maja S. Franković, Adib Fricke, Catherine Gfeller, Simon Grennan & Christopher Sperandio, Izabella Gustowska, Damien Hirst, Päivikki Kallio, Micha Klein, Jakob Kolding, Ines Krasić, Oldrich Kulhanek, Kurt & Plasto, Claudia-Maria Luenig, Tracey Moffat, Juan Moro, Blanca Munoz, Marjana Pahor, Elena Panayotova, Chen Qi, Juan Carlos Romero, Thomas Ruff, Morten Schelde, Jonathan Seliger, Liina Siib, Zora Stančič, Fatimah Tuggar, Katja Valanne & Jarno Jokinen, Adriana Varella, Sašo Vrabič, Kara Walker, Christopher Wool.
The exhibition represented the art-historical ambitions of the Biennial. It was installed on the premises of the International Centre of Graphic Arts and it presented the following artists: Zoran Mušič (the selection was made by Zoran Kržišnik and Boštjan Soklič in co-operation with the Regional Museum in Nova Gorica), Andy Warhol (the selection was made by the curator Mark Francis), and Mimmo Paladino (the selection was made by Enzo Di Martino).
The exhibition Fundamina at MGLC, installation view. Photo: Igor Lapajne.
Imaging Ulysses: Richard Hamilton’s Illustrations to James Joyce
The work of Richard Hamilton, the Grand Prix winner of the 23rd International Biennial of Graphic Arts, was presented in Cankarjev Dom Gallery. The exhibition was organized in co-operation with the British Council and curated by Stephen Coppel.
Information – Misinformation, Off-Biennial Section
Individual projects were presented in Delo newspaper, on TV Slovenija, Radio Študent, and on 100 Proreklam-Europlakat billboards around Slovenia. In co-operation with the museum in progress, the works also appeared on 50 large digital info-screens at underground railway stations in Vienna and in Der Standard newspaper.
Curated by Gregor Podnar and Hans-Ulrich Obrist.
Minerva Cuevas, Harun Farocki, Leif Elggren & Thomas Feuerstein, Natascha Sadr Haghighian & Rashad Becker, Apolonija Šušteršič & Jože Barši.
The Catalogue of the 24th Biennial of Graphic Arts
The 24th International Biennial of Graphic Arts was accompanied by a catalogue, which has completely sold out.
Producer: International Centre of Graphic Arts
Primary sponsor: Mobitel
Other sponsors: Autocommerce, Droga, Gorenje, Petrol
The Print World Exhibition sponsor: Lek
The Andy Warhol – Fundamina Exhibition received support from Philip Morris Ljubljana
Media sponsors: Delo, Der Standard, Proreklam-Europlakat, Radio Študent, TV Slovenija