Lecture: Robertina Šebjanič & Gjino Šutić: aqua_forensic

Thursday, 28 February, at 6 pm, Švicarija 

As part of the year-long programme at Švicarija pursuing the motto community, art and nature, whose focus in 2019 rests on the analysis of the state of independent journalism and the issue of the right of the public to information, the artists and researchers Robertina Šebjanič (Ljubljana) and Gjino Šutić (Zagreb/Dubrovnik) will prepare a lecture on the subject of invisible water pollution.

Through a profound lecture, the artists and researchers Robertina Šebjanič (Ljubljana) and Gjino Šutić (Zagreb/Dubrovnik) will present their research project entitled aqua_forensic that exists at the intersection of art and science. Within this framework, they illuminate and reflect upon the invisible anthropogenic pollutants in the world’s water habitats (heavy metals, oils, antibiotics, leftovers of phytopharmaceutical products) and open up a discussion on human empathy towards (sub)aquatic habitats. The project therefore raises questions on so-called aquafarming in the period of the Anthropocene and on so-called terrafarming, i.e. the human imprint on the waters. But more than that, the artists raise the crucial question: How do the oceans feel our impact?

Through this long-term project, Šebjanič and Šutić explore and illuminate the invisible anthropogenic chemical pollutants – residues of industrial production and human consumption. They call them water “monsters”. The project combines principles of art and science (so-called citizen science) in a “hunt for a phantom” and opens up a discussion on our solidarity with the waters beyond human perception.

Robertina Šebjanič (SI) is an internationally exhibited and awarded artist. Her artwork deals with the cultural, (bio)political and ecological realities of aquatic environments. With her projects, she tackles the philosophical questions at the intersection of art, technology and science. http://robertina.net/

Gjino Šutić (HR) is a biotechnologist, postmodern intermedia artist, innovator and educator. He is the founder and director of the Universal Research Institute and Gen0 Industries, and conducts research in several fields of science and postmodern new media art.

The project is supported by Ars Electronica as part of the EMAP/EMARE residency, Projekt Atol Institute (SI), UR Institute (HR), Sektor Institute (SI), Čistoća Dubrovnik, Ministry of Culture of the Republic of Slovenia and Ministry of Culture of the Republic of Croatia, co-funded by the Creative Europe Programme of the European Union.

 

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From the MGLC Collection

Christian Boltanski: Le Club Mickey
Collection of the Institut français Slovénie

The artist’s book presents a series of newspaper photos of children from the Mickey Mouse Club in moments depicting their most vulnerable periods. By cataloguing these faces as well as the membership numbers of the Mickey Mouse Club members, Boltanski reveals his own fascination with historical memory and the way in which we construct the past.

The work of French conceptual artist Christian Boltanski explores the nature of classification and inventory-making and how these relate to our need to construct the past. Death is used by the artist as a metaphor to communicate his doubts, while at the same time managing to transcend the categories of morbidity and despondency tied to it.

The book was published by Imschoot, Uitgevers in Ghent. The first edition of 400 copies was published in 1990 and the second edition, in a circulation of 600 copies, in 1991. The book has 32 pages and 148 illustrations.

  

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WORKSHOP: MOKULITO – WOOD LITHOGRAPHY

 

Friday–Sunday, 6–7 June 2020 (12 hours)

Print workshop, conducted by artist Tihana Karlović

The mokulito technique is an alternative form of the classical printmaking technique of wood lithography and comes from Japan. 


Photo. Urška Boljkovac. MGLC Archive.

The 2-hour workshop takes place in the Print Studio at MGLC:
Friday, 5. 6.: 17.00–20.00
Saturday, 6. 6.: 10.00–18.00
Sunday, 7. 6.: 10.00–12.00

The workshop is conducted by artist Tihana Karlović (Rijeka, Croatia) and is intended for participants with some knowledge of the graphic arts. The group is limited to a maximum of 8 people. Participants should attend the workshop from beginning to end. Participation fee: 90 EUR.

We offer a 15% discount for members of the Friends of the Biennial Club and a 10% discount for students and the unemployed.

Applications must be made using the appropriate application form outlining relevant experience and/or by submitting a portfolio.

Applications taken up till the available quota at lili.sturm@mglc-lj.si

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ANDREJ ŠKUFCA: BLACK MARKET

19. 5.–16. 8. 2020

Black Market by Andrej Škufca is a sculptural installation based on modular iterations. Its body represents a futuristic animal composed of our contemporary biotechnical debris – of oil pipelines, ocean fibre optic cables, eels, exoskeletons and the earliest forms of tubular multicellular micro-organisms. 
Curator: Àngels Miralda

The Black Market exhibition is on view free of charge until the end of May.


Andrej Škufca: Zero Hedge (2019),