Tivoli Mansion is the oldest building in the area of today’s Tivoli Park. It connects to the city through the Jakopič Promenade, which was widened in the 1930s by architect Jože Plečnik, who planted a new border of trees on each side. The history of the mansion itself dates back to the 13th century, when a tower stood over the current location, which was demolished in 1442 by the Counts of Celje in the battles with the Austrian Emperor Frederick III to gain power over Ljubljana. Baron George Apfaltrern had a new court built on the present location, which was purchased in 1601 by the Ljubljana Jesuits and replaced with a new mansion building. The Jesuits purchased the neighbouring plots of land and the surroundings of the mansion became a pleasant promenade, whereas the natural amphitheatre behind the building was used to stage plays by the Jesuit students. When the Jesuit Order was dissolved in 1775, the mansion became the summer residence of the Ljubljana Bishop. Later it was passed on into the hands of the Provincial Estates and served as a hospital, warehouse and army barracks, which severely damaged the building. Emperor Franz Joseph had the mansion restored in May 1853 and gave it to Marshal Radetzky and his wife for lifelong use. Radetzky renovated the surroundings and opened the park to the public, for which the grateful people granted him honorary citizenship in 1882 and erected a statue in front of the mansion. The fountain with the statue of a boy that is so famous in Slovenia today was erected in the park in April 1870, and this was probably also the time when the striking four large bronze dogs without tongues by Anton Dominik Fernkorn were also installed on the steps in front of the mansion. At this point investments into the mansion ceased. Initially, city officials were housed in the mansion, and then tenants after the Second World War, who lived there until 1986, when renovation work began on the building for the opening of the International Centre of Graphic Arts. The Tivoli Mansion building is listed as a protected monument.
From the MGLC Collection
Christian Boltanski: Le Club Mickey
Collection of the Institut français Slovénie
The artist’s book presents a series of newspaper photos of children from the Mickey Mouse Club in moments depicting their most vulnerable periods. By cataloguing these faces as well as the membership numbers of the Mickey Mouse Club members, Boltanski reveals his own fascination with historical memory and the way in which we construct the past.
The work of French conceptual artist Christian Boltanski explores the nature of classification and inventory-making and how these relate to our need to construct the past. Death is used by the artist as a metaphor to communicate his doubts, while at the same time managing to transcend the categories of morbidity and despondency tied to it.
The book was published by Imschoot, Uitgevers in Ghent. The first edition of 400 copies was published in 1990 and the second edition, in a circulation of 600 copies, in 1991. The book has 32 pages and 148 illustrations.
WORKSHOP: MOKULITO – WOOD LITHOGRAPHY
Friday–Sunday, 6–7 June 2020 (12 hours)
Print workshop, conducted by artist Tihana Karlović
The mokulito technique is an alternative form of the classical printmaking technique of wood lithography and comes from Japan.
Photo. Urška Boljkovac. MGLC Archive.
The 2-hour workshop takes place in the Print Studio at MGLC:
Friday, 5. 6.: 17.00–20.00
Saturday, 6. 6.: 10.00–18.00
Sunday, 7. 6.: 10.00–12.00
The workshop is conducted by artist Tihana Karlović (Rijeka, Croatia) and is intended for participants with some knowledge of the graphic arts. The group is limited to a maximum of 8 people. Participants should attend the workshop from beginning to end. Participation fee: 90 EUR.
We offer a 15% discount for members of the Friends of the Biennial Club and a 10% discount for students and the unemployed.
Applications must be made using the appropriate application form outlining relevant experience and/or by submitting a portfolio.
Applications taken up till the available quota at firstname.lastname@example.org
ANDREJ ŠKUFCA: BLACK MARKET
19. 5.–16. 8. 2020
Black Market by Andrej Škufca is a sculptural installation based on modular iterations. Its body represents a futuristic animal composed of our contemporary biotechnical debris – of oil pipelines, ocean fibre optic cables, eels, exoskeletons and the earliest forms of tubular multicellular micro-organisms.
Curator: Àngels Miralda
The Black Market exhibition is on view free of charge until the end of May.
Andrej Škufca: Zero Hedge (2019),